Hi, I’m Feyi! ✌︎

a graphic designer and fine artist.

Documentary Movie Poster

Production and process for a music documentary.

2026 Senior Art Fair Showcase

Final capstone for my BFA program: a shrine of found objects and abstrcact paintings.

Oracle Card Deck Planning

Created a calm set of cards for a non profit rooted in inclusive identity.

For my BFA Capstone, titled Dearest Girl, Your Altar Glows Pink, I created a solo show featuring my abstract art and a shrine using found objects.

I explored the female body through the lens of hyperfeminity and horrifying exaggeration. I was particularly interested in what happened when beauty was pushed to excess, and when it crossed the threshold into the horrors of being trapped in a flesh vehicle. My work involved digital illustrations, abstract paintings, and installation to bring pieces of this beautifully violent world into reality.

Additionally, I created original characters in a world oscillating between uncanny beauty and wondrous dread. When my girls are no longer performing the traditional female gender, what else is there? This transformation of the female form is not simply violent; it is transitional, marking the possibility of reclaiming power through change. My characters are icons, both worshipped and objectified. By pairing devotional imagery with bodily transformation, I highlight the contradictions embedded in idealized femininity.Ultimately, my practice interrogates the female body in art. I invited the viewers to consider: Is it worth conforming to the idealized form, or can there be liberation and comfort found in the pain of tearing it apart?

I designed the poster for the PBS documentary King of Them All: The Story of King Records.Since the focus of the film is a record producing company, I wanted the poster to feature a variety of albums to induce curiosity in the viewer.I chose a diagonal grid system, inspired by the log in splash screen for Netflix. I wrote a Python script to quickly square crop and lay down all the album art in a grid, then adjusted them in Photoshop.

For the final poster, I slightly blurred the album art to emphasize the title. Most of the album art is warm toned, so I picked a warmer, brighter yellow to match.

I was approached by a client for the request of making an animated wedding invitation.
After some back and forth, I composed a draft in After Effects based off of the animations they were hoping to see.

I put together 3 palettes for the client to choose from. Their instructions were for fall themes, but nothing too "stereotypical". With this in mind, I shied away from reds and elected to pick out more earthy and muted colors

Afterwards, we talked about some more specific elements they wanted:
_{Autumn themed colors
White Flowers
Tighter pacing of the animations
Some adjustments to the typography
"Rainfall of envelopes" theme for the gifts
Music track requested
Text in Español}

All of the graphics were put together in Illustrator, and then composed in After Effects.
Client reported back very pleased with the invitation. The most interesting challenges I took away from this project was the language barrier. Making sure the typography worked in another language was my priority, and we were both pleased with the outcome. An animated wedding invitation is slightly unorthodox for English speakers, therefore most of my examples I used to construct the first mockup were also in another language. Yet I was able to get the gist of it and teach myself what to look out for and what elements to add.

In 2021, AURCO, an organization for regional campuses in Ohio, approached my class for possible branding for the 2023 conference. We were given the tagline "Resilience and Reinvention".
After a color scheme, typography, texture, photos, and a logo were decided, I worked with others in a group project to not only design posters, but also promotional ads and ephemera guests would receive upon attending the event.